“The work begins with an imagined act of listening to a plant. Drawing on the bioelectric signals of wild white and pink roses, translated into sound through modular synthesis, it considers the plant as a body with its own rhythms, vibrations, and language. I imagine closing my eyes and attending to its smallest movements: wind passing through a petal, the subtle friction of contact, a shift in breath or atmosphere. Through this act of listening, the rose becomes both material presence and a point of entry into an otherworldly space—one in which distinctions between body, plant, sound, and surroundings begin to dissolve.”